Essay on the Double Meanings of The Odyssey -- Homer, Odyssey Essays

The Double Meanings of The Odyssey      Ã‚     Throughout Homer's The Odyssey, there are a number of tangible symbols that are used to represent abstract ideas. I would like to suggest that each symbol that Homer uses within The Odyssey has two clear meanings. The double meanings of these symbols are used to represent Odysseus and Telemachus as they strive to meet each other. While each symbol has a meaning that represents the growth of Telemachus, each one also represents, by another meaning, the growth and development of Odysseus. When they meet for the first time, the symbols, and the character traits that they represent confluence, and the resemblance between Odysseus and Telemachus becomes complete. One of the main ideas running throughout the Odyssey is the importance of water. It has the power of giving life and quick, safe travel, but it also has the potential to drown you through the itself. While it is often perceived as being good and usually life giving, it also demonstrates how too much of a good thing can bring harm. It brings much harm to Odysseus as he is traveling to Phaeacia, "At Zeus' command the whole sky is heavy with clouds, the sea is seething, squalls from every corner hurtle together. There is nothing now for me but certain d... ..., et al. A commentary on Homer's Odyssey. 3 Vols. Oxford PA4167 .H4813 1988 Jones, Peter V. Homer's Odyssey : a companion to the translation   of Richmond Lattimore.   Ã‚  Ã‚  Ã‚   Carbondale, IL : Southern Illinois University Press, c1988. PA4167 .J66 1988 Peradotto, John , Man in the Middle Voice: Name and Narration in the Odyssey, Princeton UP 1990 Stanford, William Bedell. Homer's Odyssey. 2 Vols. Macmillan   Ã‚  Ã‚  Ã‚   Thalmann, William G., The Odyssey : an epic of return. New York : Twayne Publishers. PA4167 .T45 1992 Tracy, Stephen V., The story of the Odyssey. Princeton, N.J. : Princeton University Press, c1990.   PA4167 .T7 1990   

Battle of Algiers

History plays an important role in the lives of individuals, especially in understanding the present and planning for the future. The different events that happened and the various personalities that have essential contribution in the past is given importance because they substantially help for the people to make sense of their present life and eventually know their direction in the future. The pivotal contribution of history is clearly exemplified in movies or films that used historical events as its main theme or storyline.In relation to this, the movie The Battle of Algiers narrates the Algerian War, specifically the battle that the movie was name of in order for its viewers to understand the origin and end of the war. The Battle of Algiers also known as La battaglia di Algen in Italian, is a movie directed by Gillo Pontecorvo in 1966. The aforementioned movie is regarded as a war film that is based on the Algerian War that took place during the years 1954 to 1962. The battle of A lgiers was a revolution against the French colonial rule in North Africa. The director patterned the movie to the reported actual events of the Battle of Algiers.The reconstruction of the events happened in the capital city of French Algeria between the period of November 1954 and December 1960 wherein the Algerian War of Independence was already in the process. The narration started in Casbah with the organization of revolutionary cells. The stakeholders of the civil war were the native Algerians and the European settlers also known as pied-noirs, wherein great animosity and violence were exchanged between the two parties. As a result, the French army paratroopers were ordered to annihilate the National Liberation Front (FLN).The French army paratroopers were described in the film as the winners of the battle because they were able to hunt down the FLN leadership by means of assassinating or capturing them. Nevertheless, the motion picture ends with a coda-like demonstrations and r iots of native Algerians, who are fighting for independence. Moreover, the end of the movie also sends the message that the French victory at the Battle of Algiers cost them to lose the Algerian War (Musu et al. , 1966). The Battle of Algiers was a guerilla warfare campaign that is pursued by the National Liberation Front (FLN) against the rule of France in 1957.The conflict started through the continuous hit-and-run attacks by the FLN against the French Police that were placed in Algiers. The conflict escalated because of the decision of the government of France to send French army in Algiers in order to suppress the revolutionary efforts of the FLN. In March 1955, the leader of the FLN in Algiers, Rabah Bitat was arrested by the French. Nevertheless, the French was not able to weaken the FLN because Abane Ramdane, who was just release from prison, was able to properly direct the political objective of FLN.As a result, Ramdane was able to bring FLN in Algiers to its usual power (Ho rner, 2006). The conflict further escalated on 20 August 1955, when violence became observable around Philippeville. The situation became even worse when Ramdane and Larbi Ben M’Hidi decided to focus the operations of the FLN in the capital. The decision of Ramdane and M’Hidi came about during the Summam Congress, a little time after the debate of the United Nations regarding the â€Å"Algerian question† (Alleg & Calder, 2006). In the summer of 1956, secret negotiations took place between the Algerian separatists and the French in Belgrade and Rome.The French hard-liners started to manage themselves in a paramilitary group under the leadership of Andre Achiary. Andre Achiary is a previous officer of the Service de Documentation Exterieure et de Contre-Espionnage (SDECE) and he also experience being led by the prefect of Constantinois during the time of the Setif massacre. During the night of 10 August 1956, Achiary with the help of the followers of the Robert Ma rtel’s Union francaise nord-africaine planted a bomb at Thebes road in the Casbah. The explosion was recognized as terrorist attack that killed 73 lives and had also marked the turn of events in the conflict.Prior to the Thebes road massacre, the FLN only launch attacks in Algiers due to the numerous arrests and executions of their members. However, the Casbah inhabitant are enraged and are determined to avenged the dead of their loves ones, which is why they went to the European town in order to launch their attack. In line with this, members of the FLN made a promise to the Casbah inhabitants that they will avenge them (Horner, 2006). The Peace talks did not succeed and the government of Guy Mollet’s ended the policy of negotiations. As a result, Larbi Ben M’Hidi decided to further expand the terrorist action to the European city.However, FLN members were executed through guillotine, which caused Larbi Ben M’Hidi to order the killings of any European fr om 18 to 54, excluding women, children, and elderly. On 30 September 1956, three female FLN militants planted a bomb on civilian locations such as: milk bar, cafeteria, and travel agency, which marked the official start of the Battle of Algiers (Horner, 2006). The absence of a peaceful resolution to the conflict was brought about by the failure of the peace talks and also by the decision of the Mollet’s government to end policy negotiations.As such, a possibility for a peaceful ending to the conflict no longer exists, which is further worsen by the decision to further heighten the terrorist action. Moreover, Mollet and Massu decided to start a military intervention which caused for an all out war, which substantially hinder establishing another peace talks (Alleg & Calder, 2006). References Alleg, H. , & Calder, J. (2006). The Question. Nebraska: University of Nebraska Press. Horne, A. (2006). A Savage War of Peace: Algeria, 1954-1962. New York: New York Review Books. Musu, A . , Yacef, S. , & Pontecorvo, G. (1966). The Battle of Algiers. Italy: Rizzoli. Battle of Algiers The 1996 Gillo Pontecorvo-directed Battle of Algiers movie depicts the struggle between Algerians and French colonialists by recreating occurrences that happened in Algeria’s capital city between 1954 and 1962. Ali La Pointe, a politically-radicalized former prisoner, narrates the film’s story. After serving his prison term, Pointe was engaged by the National Liberation Front (FLN) via El-hadi Jafar – a military commander.Due to increased violence, French army paratroopers are introduced to pursue FLN elements. The paratroop leader – Colonel Mathieu, is the movie’s major French character.Petit Omar, Larbi Ben M’hidi, Hassiba, Djamila, and Zohra are other French characters. The FLN-commanded Casbah executes local Algerian offenders plus other traitors and applies violence to trouble civilian French citizens. In turn, the French take up public lynching and arbitrary, racist aggression against local Algerians. Through the movie, Pontecorvo demon strates that war really disadvantages civilians based on the strategies the two contending sides employ to subdue each other. For example, both the French and the FNL direct their war-oriented frustrations at the hapless locals.On its part, the FLN use the Casbah militant organization to summarily execute alleged traitors, Algerian offenders and to torment French civilians. In return, the French mete out violence on native Algerians by indiscriminately murdering, torturing, and intimidating locals (Chansel 199). Through such events, Pontecorvo shows that war is a very costly phenomenon that harms both non-combatants and combatants. In addition, the Battle of Algiers critiques the domineering stance that western developed countries usually adopt when dealing with their undeveloped counterparts.French paratroopers come in when locals express hostility towards the European settlers. France’s decision to send in paratroopers to help quell the anti-European sentiments in Algeria d emonstrates this western self-ascribed supremacy. Other than seek dialogue, the French seek to exterminate the Algerian citizens in their own land. This situation demonstrates utter contempt by the Whites towards the locals (Chansel 199). Works Cited Chansel, Dominique. Europe On-screen: Cinema and the Teaching of History, Volume 2. Strasbourg, France: Council of Europe, 2001.

The 3 Japanese Verb Groups

One of the characteristics of the Japanese language is that the verb generally comes at the end of the sentence. Since Japaneses sentences often omit the subject, the verb is probably the most important part in understanding the sentence. However, verb forms are considered to be challenging to learn. The good news is the system itself is rather simple, as far as memorizing specific rules. Unlike the more complex verb conjugation of other languages, ​​Japanese verbs do not have a different form to indicate the person (first-, second, and third-person), the number (singular and plural), or gender. Japanese verbs are roughly divided into three groups according to their dictionary form (basic form). Group 1: ~ U Ending Verbs The basic form of Group 1 verbs end with ~ u. This group is also called Consonant-stem verbs or Godan-doushi (Godan verbs). hanasu è © ±Ã£ â„¢ - to speakkaku æ› ¸Ã£   - to writekiku è Å¾Ã£   - to listenmatsu Ã¥ ¾â€¦Ã£  ¤ - to waitnomu é £ ²Ã£â€šâ‚¬ - to drink Group 2: ~ Iru and ~ Eru Ending Verbs The basic form of Group 2 verbs end with either ~iru or ~ eru. This group is also called Vowel-stem-verbs or Ichidan-doushi (Ichidan verbs). ~ Iru Ending Verbs kiru ç â‚¬Ã£â€šâ€¹ - to wearmiru è ¦â€¹Ã£â€šâ€¹ - to seeokiru è µ ·Ã£  Ã£â€šâ€¹ - to get uporiru é™ Ã£â€šÅ Ã£â€šâ€¹ - to get offshinjiru ä ¿ ¡Ã£ ËœÃ£â€šâ€¹ - to believe ~ Eru Ending Verbs akeru éâ€"‹ã â€˜Ã£â€šâ€¹ - to openageru 㠁‚㠁’ã‚‹ - to givederu å‡ ºÃ£â€šâ€¹ - to go outneru Ã¥ ¯ Ã£â€šâ€¹ - to sleeptaberu é £Å¸Ã£  ¹Ã£â€šâ€¹ - to eat There are some exceptions. The following verbs belong to Group 1, though they end with ~ iru or ~ eru. hairu å… ¥Ã£â€šâ€¹ - to enterhashiru è µ °Ã£â€šâ€¹ - to runiru 㠁„ã‚‹ - to needkaeru Ã¥ ¸ °Ã£â€šâ€¹ - to returnkagiru é™ Ã£â€šâ€¹ - to limitkiru 切る - to cutshaberu 㠁â€"ã‚Æ'㠁 ¹Ã£â€šâ€¹ - to chattershiru çŸ ¥Ã£â€šâ€¹ - to know Group 3: Irregular Verbs There are only two irregular verbs, kuru (to come) and suru (to do). The verb suru is probably the most often used verb in Japanese. It is used as to do, to make, or to cost. It is also combined with many nouns (of Chinese or Western origin) to make them into verbs. Here are some examples. benkyousuru 勉å ¼ ·Ã£ â„¢Ã£â€šâ€¹ - to studyryokousuru æâ€"…è ¡Å'㠁™ã‚‹ - to travelyushutsusuru è ¼ ¸Ã¥â€¡ ºÃ£ â„¢Ã£â€šâ€¹ - to exportdansusuru ãÆ'ۋÆ' ³Ã£â€š ¹Ã£ â„¢Ã£â€šâ€¹ - to danceshanpuusuru ã‚ ·Ã£Æ' £Ã£Æ' ³Ã£Æ'â€"ãÆ' ¼Ã£ â„¢Ã£â€šâ€¹ - to shampoo